Que, no solamente abre paso hacia una musicología moderna, ratificando el valor del métodoĮmpírico en el estudio de la interpretación, sino que además contribuye a revelar, por vez primera, Métodos tradicionales y científicos arroja nueva luz en el estudio de la interpretación pianística, ya Las fuentes disponibles para el análisis de las interpretaciones pianísticas del célebre músico español,Īportando a su vez material original aun no documentado hasta la fecha. Keywords: Enrique Granados original sources performance based research.Įn este artículo se exponen algunas de las conclusiones y resultados más relevantes obtenidosĭurante los tres años de investigación doctoral, en los que la autora examina minuciosamente todas Methods, recordings and performance tradition. Performances of Granados’ works through a combined study of his manuscripts, pedagogical Furthermore, it raises questions aboutĬurrent performance practices and the stylistic validity that pianists might be able to give in their
Legacy left by Granados, and the Catalan Piano School. Has unearthed a treasure trove of new and detailed information about this wonderful pianistic
Work is especially relevant due to the significant number of its original sources. The thorough analysis of Valses poéticos op.43 written by Granados allowedĪ closer look at performance practices of Granados and the musical tastes of his time. Validity of only one possible “authoritative” interpretation when approaching this particular The differing and equally convincing pianistic styles of Granados’ followers call into. This paper presents the outcomes of a three-year doctoral investigation, in which the authorĮxamines stylistic and aesthetic trends in the performances of Granados, with the aim of producingĪ detailed and painstaking examination of the pianistic tradition inherited by the Spanish composer. Furthermore, it raises questions about current performance practices and the stylistic validity that pianists might be able to give in their performances of Granados’ works through a combined study of his manuscripts, pedagogical methods, recordings and performance tradition. This investigation has unearthed a treasure trove of new and detailed information about this wonderful pianistic legacy left by Granados, and the Catalan School of Piano Players. This early work is especially relevant due to the significant number of its original sources. The thorough analysis of Valses poéticos op.43 written by Granados allowed a closer look at performance practices of Granados and the musical tastes of his time. The differing and equally convincing pianistic styles of Granados’ followers call into question the validity of only one possible “authoritative” interpretation when approaching this particular performance tradition. This paper presents the outcomes of a three-year doctoral investigation, in which the author examines stylistic and aesthetic trends in the performances of Granados, with the aim of producing a detailed and painstaking examination of the pianistic tradition inherited by the Spanish composer.
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